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Desperate to find a sanctuary where his lover, Casca, will be safe from the demons drawn to her Brand of Sacrifice, Guts the Black Swordsman pushes his motley band of followers onward towards fairy Puck's homeland, Elfhelm. With new allies who make their home in a mystically guarded woodland paradise, Guts' goal seems within reach, but danger lurks in the shadows of even the most dazzling utopias, and even fairy witchery may not protect the wondrous kingdom from an army of marauding, murderous trolls! Created by Kentaro Miura, Berserk is a runaway manga locomotive, a crashing colossus of teeth-rattling action, spine-chilling horror, and taboo-breaking humor that fires the boilers of its devoted devotees and burns the rest. Ashes to ashes!
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Romance, magic and an age-old prophecy - the much-anticipated sequel to Born Wicked With the Brotherhood persecuting witches like never before, a divided Sisterhood desperately needs Cate to come into her Prophesied powers. And after Cate's friend Sachi is arrested for using magic, a war-thirsty Sister offers to help her find answers-if Cate is willing to endanger everyone she loves. Cate doesn't want to be a weapon, and she doesn't want to involve her friends and Finn in the Sisterhood's schemes. But when Maura and Tess join the Sisterhood, Maura makes it clear that she'll do whatever it takes to lead the witches to victory. Even if it means sacrifices. Even if it means overthrowing Cate. Even if it means all-out war.
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Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize and therefore consolidate a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems.The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences.Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that we have never been human, that the human has always coevolved, coexisted, or collaborated with the nonhuman and that the human is identified precisely by this indistinction from the nonhuman.Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U. "